Pablo PicassoSculptor working on a female bust II 1965
1965
About the Item
- Creator:Pablo Picasso (1881-1973, Spanish)
- Creation Year:1965
- Dimensions:Height: 21.26 in (54 cm)Width: 16.15 in (41 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very slight traces of framing otherwise in very good condition.
- Gallery Location:Paris, FR
- Reference Number:
Pablo Picasso
One of the most prolific and revolutionary artists the world has ever seen, Pablo Picasso had a tremendous impact on the development of 20th-century modern art. Although he is best known for his association with the Cubist movement, which he founded with Georges Braque, Picasso’s influence extends to Surrealism, neoclassicism and Expressionism.
“Every act of creation is, first of all, an act of destruction,” the Spanish artist proclaimed. In Picasso's Cubist paintings, he emphasizes the two-dimensionality of the canvas, breaking with conventions regarding perspective, foreshortening and proportion. Picasso was inspired by Iberian and African tribal art. One of his most famous pre-Cubist works is Les Demoiselles d’Avignon (1907), a painting considered immoral and shocking at the time for its depiction of nude women whose faces resemble Iberian tribal masks.
Picasso made many portraits in this style, most often of the women in his life, their expressively colored faces composed of geometric shards of surface planes. In Woman in a Hat (Olga), 1935, he painted his first wife as an assemblage of abstract forms, leaving the viewer to decipher the subject through the contrasting colors and shapes. Picasso was a tireless artist, creating more than 20,000 paintings, drawings, prints, ceramics and sculptures. Tracing his life’s work reveals the progression of modern art, on which he had an unparalleled influence.
Browse an expansive collection of Pablo Picasso's art on 1stDibs.
- ShippingRetrieving quote...Ships From: PARIS, France
- Return PolicyA return for this item may be initiated within 3 days of delivery.
- The hammer without a masterBy Joan MiróLocated in Paris, FREtching and aquatint, 1976 Handsigned by the artist in pencil Publisher : Le Vent d'Arles (Paris) Printer : Morsang (Paris) Catalog : [Dupin 953] 28.00 cm. x 23.00 cm. 11.02 in. x 9.06 in. (image) 60.00 cm. x 48.00 cm. 23.62 in. x 18.9 in. (frame) Poems by René Char Pulled on pearl Japan...Category
1970s Abstract Abstract Prints
MaterialsEtching, Aquatint
- "Juste Présent" de Tristan Tzara planche 7By Sonia DelaunayLocated in Paris, FREtching and aquatint, 1961 Handsigned by the artist in pencil LCD4905Category
1960s Abstract Abstract Prints
MaterialsEtching, Aquatint
- The DominoesBy Fernand LégerLocated in Paris, FREtching and aquatint Handsigned by the artist in pencil and numbered 73/150 Publisher : Galerie Maeght (Paris) Catalog : Saphire E15 / Maeght 1402 64.00 cm. x 50.00 cm. 25.2 in. x 1...Category
1950s Abstract Abstract Prints
MaterialsEtching, Aquatint
- The Warrior's Hand (Night of Toledo)By Antoni ClavéLocated in Paris, FREtching and aquatint, 1968 Handsigned by the artist in pencil and numbered 42/80 Publisher : L'OEuvre Gravée (Locarno) Catalog : Passeron 178 77.50 cm. x 49.00 cm. 30.51 in. x 19.29...Category
1960s Abstract Abstract Prints
MaterialsEtching, Aquatint
- Morning rain in the moonlightBy Joan MiróLocated in Paris, FREtching and aquatint, 1958 Handsigned by the artist in pencil and numbered 232/300 Printer : Crommelynck (Paris) Catalog : Maeght 1713 56.00 cm. x 65.00 cm. 22.05 in. x 25.59 in. (paper) 39.00 cm. x 48.00 cm. 15.35 in. x 18.9 in. (image) After Miro...Category
1950s Abstract Abstract Prints
MaterialsEtching, Aquatint
- The Rooms, poems of the time that does not passBy Man RayLocated in Paris, FREtching and aquatint, 1958 Handsigned by the artist in pencil and numbered 6/20 32.00 cm. x 25.00 cm. 12.6 in. x 9.84 in. (paper) 13.00 cm. x 9.50 cm. 5.12 in. x 3.74 in. (image) Frontispiece for Louis Aragon...Category
1950s Abstract Abstract Prints
MaterialsEtching, Aquatint
- Pioggia d'Oro: Le Cinque Stagioni (Golden Rain) 1988 Color etching/aquatint BIGBy Sam FrancisLocated in Rancho Santa Fe, CAPioggia d'Oro (Golden Rain) Etching with aquatint in colors, on Fabriano paper. 1988 Signed in pencil lower right. Numbered in pencil lower left. From the signed and numbered editio...Category
1980s Abstract Expressionist Abstract Prints
MaterialsArchival Paper, Etching, Aquatint
- "Haarlem" Aquatint Etching on PaperBy Johnny FriedlaenderLocated in Soquel, CABold abstract aquatint by Johnny Friedlaender (Polish-French, 1912-1992). Comprised of two main sections, this piece is full of detail and texture. The upper layer is a reddish tan, whereas the bottom layer is a rich brown. Geometrical shapes are arranged such that they almost form mirror images of each other, but vary enough to create interest and a sense of movement. Signed in the lower right corner. Numbered 56/350 in the lower left corner. Includes original certificate of authenticity. Presented in a new cream mat with foamcore backing. Mat size: 42"H x 32"W Paper size: 33.75"H x 24.5"W Johnny Friedlaender was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Johnny Gotthard Friedlaender was born in Pless (Silesia) and his early studies were in Breslau under Otto Mueller. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L 'Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947, he produced the work Reves Cosmiques, and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Stael and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951, and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968, Friedlaender was travelling to Puerto Rico, New York and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain, Rene Carcan...Category
1970s Abstract Geometric Abstract Prints
MaterialsPaper, Etching, Aquatint
- Abstract Print from "Series II" by Joan Miró, Graphic artwork, Black and WhiteBy Joan MiróLocated in Köln, DEfrom "Series II" - Joan Miró, Graphic artwork, Miró, Black and White Aquatint etching from 1947, printed in 1952-1953, 50,5 x 64,7 cm, Edition of 13, in complete approx. 20 Exemplars...Category
1940s Abstract Abstract Prints
MaterialsAquatint
- Generations 6By Robyn DennyLocated in London, GBEtching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...Category
1970s Abstract Geometric Abstract Prints
MaterialsAquatint, Color, Etching
- Generations 8By Robyn DennyLocated in London, GBEtching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...Category
1970s Abstract Geometric Abstract Prints
MaterialsAquatint, Color, Etching
- Untitled - Etching and Aquatint Monotype by Sam Francis - 1989By Sam FrancisLocated in Roma, ITUntitled (SFE-072) is an original contemporary artwork realized by Sam Francis in 1989. Etching and Aquatint Monotype with color variant on Rives BFK. Editor The Litho Shop santa Monica Jacob...Category
1990s Abstract Abstract Prints
MaterialsEtching, Aquatint, Monotype
Recently Viewed
View AllRead More
Science Uncovers Hidden Truths behind Young Pablo Picasso’s Blue Period
From 1901 to 1904, Picasso limited his palette to bluish hues in producing some of his most famous early works. A new show looks at the recycled materials, hidden underpaintings, surprising influences and bohemian lifestyle that led to their creation.
Who Are the Most Popular Artists on 1stdibs?
Learn the stories of some of the world's most recognizable artworks and their makers.